Das ist Küstendorf 2013.

KATYA Francisca Toetenel, The Netherlands 2011
KHOREIA Manuel Guerra, Portugal 2011
END OF THE WORLD Willem Lee, USA 2012
RISE ABOVE Jeongeun Choi, Republic of Korea, UK 2012
WRITTEN IN INK Martin Rath, Poland 2011
WATERMELON Vakhtang Tato Kotetishvili, Poland 2012
I AM NOT YOUR FRIEND Jelena Gavrilović, Serbia 2013
BLACK OUT Ahn Jin-woo, Republic of Korea 2012
BROTHERS Türker Süer, Germany 2012
DON SABÁS Juan Manuel Zúñiga, Mexico 2012
ENDLESS ROOM Emerson Reyes, Philippines 2011
THREE LIGHT BULBS Min Ding, USA 2012
STAMMERING LOVE Jan Czarlewski, Switzerland 2012
SPRINGTIME SUNS Stefan Ivančić, Serbia 2013
TATEH Yaniv Linton, Israel 2012
TWO OUT OF THREE Paulina Rosas, Mexico 2012
SPARE TIME Myriam Rachmuth, Switzerland 2012
THE HOSTS Miguel Angel Moulet, Cuba, Peru 2012
DOUBLE HAPPINESS Wu Linfeng, Singapore 2011
BARVALO Rasmus Kloster Bro, Denmark 2012
INTRO Ivan Salatić, Montenegro 2013
PLAYGROUND Joseph Elad Primo, Israel 2011
LAST NIGHT Bae Duri, Republic of Korea 2012
I AM JOHN WAYNE Christina Choe, USA 2012
WARS Ivan Bakrač, Serbia 2012
WASHED Daphna Mero, Israel 2012
OCTOBER 1961 Florence Corre & Aurel, France 2011
CONCERTINO Ripli Gabor, Serbia 2012

Takmičarski program

OSCAR 2013

Lista stranih filmova u trci za OSCARA 2013 je skracena na 9 kandidata:

Austria’s “Amour” by director Michael Haneke.
Canada’s “War Witch” by Kim Nguyen.
Chile’s “No” by Pablo Larrain.
Denmark’s “A Royal Affair” by Nikolaj Arcel.
France’s “The Intouchables” by Olivier Nakache and Eric Toledano.
Iceland’s “The Deep” by Baltasar Kormakur.
Norway’s “Kon-Tiki” by Joachim Ronning and Espen Sandberg.
Romania’s “Beyond the Hills” by Cristian Mungiu.
Switzerland’s “Sister” by Ursula Meier. 

10. Januar 2013. Nažalost otpao je Iza brda.

Insomania 1

Film Chasing Sleep se otvara buđenjem, jedinim snom Jeffa Danielsa (Ed) u celom filmu, prostalo je košmar otvorenih očiju prapraćen sve većim dozama omamljujućih supstanci.

He searches through the medicine cabinet, which is full of women's items, and takes out a Cosco-sized bottle of sleeping pills. He reads the back and takes two.

Režiser nas ne ostavlja u nedoumici šta se događa sa Edom, iako ostavlja ravan kraj priče bez klasičnog razrešenja dostigavši željeni nivo rastakanja Edove svesti. Mentalno potonuće koje posmatramo kroz njegovu vizuru samo ponekad je dovoljno da se identifikujemo sa njim, uprkos svim elementima borbe rastakajućeg uma prisutnim kod starijeg i mladjeg pandama (Repulsion Polanskog i Mulholland Drive Lyncha). Vizije koje ga progone mešaju se sa ljudima i ni jedno nije dovoljno intezivno, dramatično. Policajac koji ga obilazi zbog istrage nestale žene je predusretljiv i ljubazan, a studentkinja podatna i umirujuća. Iako je verovatno tako u životu slabo funkcioniše na platnu. Sve vreme ostajemo pasivni posmatrači iščekujući novu Edovu viziju bez imalo misterije. Film je mnogo, mnogo uverljiviji kad se Ed bori sa kućom nego sa svojim vizijama. Nesanica, univerzalni problem koji muči američku i sve druge civilizacije koje se naslanjaju na nju, nije dotaknuta bilo kao uzrok bilo kao posledica Edovog gubljenja u filmu gde su svi na pilulama kao i u životu izvan ekrana..

Dubleti

From dawn to dusk, a few hours in the life of Monsieur Oscar, a shadowy character who journeys from one life to the next. He is, in turn, captain of industry, assassin, beggar, monster, family man...

 

Riding across Manhattan in a stretch limo in order to get a haircut, a 28-year-old billionaire asset manager's day devolves into an odyssey with a cast of characters that start to tear his world apart.


Paris vs. NYC      Cosmopolis vs. Holy Motors.        Znate li još sličnih filmova sa sličnim opisima sadržaja.


"Hello, I'm Leos Carax, director of foreign-language films. I've been making foreign-language films my whole life. Foreign-language films are made all over the world, of course, except in America. In America, they only make non-foreign-language films. Foreign-language films are very hard to make, obviously, because you have to invent a foreign language instead of using the usual language. But the truth is, cinema is a foreign language, a language created for those who need to travel to the other side of life. Good night."

Goltzius and the Pelican Company

Peter Greenaway nam nudi orgazmičko obilje kostimiranog seksa i religije u eksploziji boja. Priča je o ilustratoru, graveru koji pokušava da namakne novac za svoju umetnost iscenirajući sa svojom trupom za Markiza od Alzasa golicave priče iz Biblije. Neobična je količina naracije. Kroz niz događaja i raspravu predstavnika raznih religija pred Markizom, oko i zbog predstava, obračunava se sa religijom. Naizgled nepotrebno, jer prema njegovim rečima i Vatikan, koji je predmet kritike u samom finalu filma, je digao ruke od Evrope i traži ljude sa osećajem sujeverija izvan nje. Da li je tako i da li iza oseke sledi u plima?